Incentive for Hope in the Florida Film & TV Community

Florida Film Commissioner and indie feature film maker Paul Sirmons gave an eye opening symposium on the current state of film and television production in the state of Florida on Monday, March 13, 2006 at Full Sail for the Recording Arts in Winter Park, Florida.

In a local production industry that seems to be dwindling away except for the likes of growing production companies like Pink Sneakers Productions and seasoned production groups like Lightship Entertainment, there is a lot to worry about for anyone who makes a living by working in the film and TV business in Florida.

At first glance, it seems like the once booming industry that included Nickelodeon Television, Tom Hank’s From The Earth to the Moon, The Mortal Combat TV show, Parenthood, several other commercial and indie films, and dozens of commercials is all but gone from our neighborhood.

There are several reasons for this: some out of town companies and directors haven’t gotten the best treatment by our studio systems, there have been accounts of mismanagement at certain stages, and talent simply doesn’t want to be here. Their agents, connections, and high paying gigs are in New York and Los Angeles.

Still, anyone who has worked in Florida knows that our crews, equipment houses, stages, and experience rival anything New York and Los Angeles have to offer.

Another major past reason productions chose not to shoot their features in Florida was due to the low tax incentive program offered out of town film and TV industry groups. Up until the last fiscal year (which ended last June) the state of Florida offered a meager tax incentive package that didn’t even amount to 2.5 million dollars. That simply isn’t enough savings for companies.

However, the Florida Film Commission now offers a 10 million dollar tax incentive and, according to Sermons, this has helped the state of Florida attract block buster films including the Transporter 2 which was originally scripted to film in Paris but was re-written to shoot in South Florida.

This is extremely hopeful news to the thousands of film and TV industry professionals working and living in Florida. In fact, hearing the statistics Sirmons shared with the full auditorium at Full Sail dispelled myths and clarified what the State of Florida is doing for the Florida film and TV industry.

Most notably, Sirmons pointed out that quadrupling the recent tax incentive to 10 million has also quadrupled the number of employees hired, the amount of money spent in the state totaling more than 78 million dollars, and the amount of Florida wages totaling approximately 40 million dollars.

Sirmons also pointed out that Governor Jeb Bush can only make suggestions as to what incentives should be in Florida. It is the legislature that approves the final numbers and it is the voter that influences the legislation. If residents of Florida working in the film and TV community do not write their legislators influencing them to increase the amount of tax incentives for incoming and residential productions, then the legislature does not fully recognize or appreciate the need.

The recent increase in Louisiana’s tax incentive program has created thousands of new jobs for that state. In fact, at this time, there are at least 6 films being shot in the “sportsman’s paradise” even after Hurricane Katrina – mainly because their tax incentive is double that of Florida’s.

Sirmons encouraged all members of the Florida film and TV industry to contact their legislators and to support two major industry bills: House Bill 1321 (Representative Don Davis) and Senate Bill 2110 (Senator Burt Saunders).

Baby Photos and the Art of Photography

"Seize the Moment" This is one of my favorite sayings. How often do we take advantage of the MOMENT? The moment is instantaneous. What happens right now will not happen again, ever! Will you remember the moment?

Photography is the art of capturing an image of that moment. It could be a face, a plant or a mountain. It could be something that will be there tomorrow but will look different or it could be something that won't be seen again. I read in a comic book once of a conversation between a father and son. The young son asked his father why old photos were always in black and white and new photos were in color? His father said there was always color film in the old days, but the world was only in black and white then! It was funny but some of our most famous photography "artist" worked in black and white such as Ansel Adams. He and so many others were artists that couldn't make up their work but had to capture it at the right instant of time.

I was going through some photos with my wife the other day. Some of them would take my breath away. They were images captured in time of babies in our family. Some of these babies are now 5, 8, 10, 14, 17 years of age. They are my children, nephews and nieces. Some of them are of my wife and her sisters. They're baby pictures! They are an instant caught in time. They were either taken by my in-laws or given to them as gifts. They may not have been present at the time the photo was taken but they had that image of that instant in time to carry with them until they died. These images were no different than the images that Ansel Adams gave me as a gift when he photographed San Francisco bay where the Golden Gate Bridge is before it was built. He gave me a memory that I could not have had otherwise. My family and my sister-in-laws' families gave my mother -in-law and father-in-law memories that they would never have had if it weren't for photography.

Even if you aren't a great photographer, a picture is still worth a 1,000 words. When a newborn baby comes home from the hospital and the family and extended family come by to see him or her, what comes out? Of course, the cameras come out and start snapping. I learned two schools of thought from photographers that I took courses from. One was in a roll of 36 exposures, 34 better be the top quality photos that you intend to sell. The other photographer taught that in a roll of 36 exposures, expect 2-3 quality photos that are worthy of selling. What I learned from this is spend your time taking posed photos but keep snapping for candid photos.

If you are taking photos of babies or children, take your time for both types of photos. I personally do not like posed photography but that's me. I prefer to capture a child that is at play trying to solve a problem or just being natural. I like the expressions when they are deep in thought or interacting with other children. I found a photo of my son that I took through a car window when he was five holding his hand up with his fingers stretched out. That photo is so memorable to me because I sent it to my mother before she passed away. It was exactly the same photo that my mother took of me when I was five years old.

May I suggest that you seriously consider studying photography to get a better understanding of the capabilities of using a camera properly? If you are just starting out, you need to start with the basics and work from there. Here is a good site to learn various aspects of photography from: http://www.photographytips.com/ For some detailed photography, study someone like Ansel Adams and look at this website: http://www.anseladams.com/

The Scope of New York 2006 Art Fair

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“Things have gotten so bad, lately, that people are in revolt against life itself.” – Kurt Vonnegut

There is art, and then there is…
That is the overwhelming sentiment guiding the omnivorous visitor as he meanders, craving enlightenment, up and down the cluttered corridors of the Scope New York 2006 art exhibition.

A hairy, overstuffed goon stands guard in one of the first stalls, his faceless head a reminder of the content (or not) that lies beyond the graffiti festooned portals, his celebrity a result only of his creator’s name. The walls are draped in an uneven, oriental-looking cardboard tapestry (one of the better pieces, by the way) offset by a pile of photographs leaning against a flimsy, badly whitewashed partition. These technically competent offerings just might snag the interest of the virginal visitor who has never glimpsed the works of Diane Arbus. A progression of wide yellow stripes on the concrete fortification adjacent to this opening scene were actually painted by the work crew, the same one that will tear a hole in it once the crowds have fully dissipated – so I am told by security personnel as I stare intently at the cement in search of meaning.

Three menacing, punkily clad, life-sized and high-powered-weapon wielding papier-mâché figures (secular Iraqi insurgents, perchance?) occupy a stage that warns the unwitting voyager of what is yet to come. A glance to the right reveals the disproportionate oral sex series, artfully done but equally artful in its lack of substance – an internet porn site must have inspired the proficient sketcher. Painfully distorted, tear stained puerile faces take up yet another space in oversized photographic zeal that may have been more appropriate in a magazine titled: “How to Deal with Your Spoiled Brats,” perhaps a suggestive subtitle for the whole Scope affair, as well.

A few labored steps forward and voila! The masterpiece unveiled: A crude oil rendering of a certain Nazi Chancellor fornicating with a swine to which an astute observer behind me, certainly just barely legal for barroom admittance, remarked enthusiastically: “Awesome!” Astonishing, indeed, was the “artist’s” audacity to present this image as though it possessed a single iota of originality or, the vaguest resemblance of simple forethought.

Few and far between were works from which one might, in fact, catch a glimpse of artistic talent coupled with a search for substance. A series of drawings with abstract geometric and topological qualities (vaguely reminiscent of Klee), a sequence of non-figurative paintings on wood and an excellent collection of acrylics inspired, in equal measure, by orchids and ancient Chinese technique were especially noteworthy. Nevertheless, the outright violence and wanton hostility of the great majority of regurgitated junk culture supplied by the “exhibitionists” helped make the experience one of indelible disgust. But what can one expect from a mindset that looks to Fear Factor and South Park for cultural direction? What can one say when artistic endeavor is pulverized to the obscene ogling of wretched lives alongside the elevation of hopelessness and topped with the idle pursuit of momentary gratification?

The old adage garbage in, garbage out seems to fit as snuggly as a lambskin glove the hands of these tots of trivia. Were there reason and rhyme for the outbursts of gratuitous cruelty disguised as art, then one might even be left to ponder. There are countless examples of art employing carnage as a mere medium to put forth a broader and more significant message. However, the absolute want of rationale seems to be exactly the point: “we are doing this because we can” is proffered in the true spirit of the spoiled adolescent who thinks he is entitled to something other than a swift kick in the rump.

Talent is never enough. Talent without core is a waste of time, space and energy for both spectators and artists. One would hardly praise Graham Greene for writing brilliantly tailored laundry lists. The hackneyed approach to pointless violence is neither a social statement nor a cultural observation; it is an excuse not to think for oneself; it is the scatterbrained copycatting of a devil-may-care, pseudo anti-intellectual pose popularized by the irresponsibly frivolous, make-believe world of the affluent strata. Random brutality exists in our society and it is the duty of art, as an ultimately human manifestation, to speak out against it, deterrent that it is to the evolution of our species, but never to trivialize and glorify it, so as to wind up co-opted by the same system that they, the self-proclaimed artists, pretend to despise.

Organic Food Bad for Baby?

baby clothes gifts

Believe it or not, Which? Magazine and The London Telegraph have reported results of a study undertaken by the former which indicated that organic baby food is less healthy than previously believed.

The report showed that iron content was low in organic baby food; too low, argued the Which? piece. In addition, under current legal guidelines dictating the composition of baby food labeled "organic," the addition of iron is prohibited. As a result, commercially prepared organic products contain some twenty percent less iron, thereby implying that baby will need to consume twenty percent more to get the daily recommended allowance of the mineral.

Some mass-produced organic baby food products have been found to be oversaturated, causing a reduction in other nutrients as well. And just because those additives are natural doesn't mean they're good for your baby.

Also brought to the attention of the consumer was the danger in parental complacency regarding organic snack foods. Because the restrictions regarding food designed for those over one year in age are significantly loosened, sodium and sugar contents increase. Indeed, because of their well-known characteristics as flavor enhancers, these two ingredients can easily be abused by an organic production company wanting their food to be as tasty as possible.

Of course, one consideration must be made when looking over the Which? survey results is that all products studied had one thing in common: They were all products.

The fact of the matter is that, ultimately, should you want ultimate control over what and how much your baby eats, you have no choice but to make it yourself, plain and simple.

Organic baby food must be prepared at home from organic fruit and vegetables (and, if you are comfortable with the source, meat products) selected by you. Fresh food - absolutely not frozen, even if it happens in your own freezer - contains the maximum amounts of nutrition. It is also believed by some that creation of food at home inspires good habits in young children, who do not gain such an appetite for junk food.

Should you find feeding your baby commercially-produced organic food, there is little cause for worry. There is, however, great cause for reading labels and researching. Remember that baby can't read and you can. Do so until it becomes habit, and you baby can receive all the benefits of organic baby food.

Undertaken at about the same time as the Which? survey was an article appearing in "Coronary and Diabetic Care in the United Kingdom," 2004 edition. Working with commercially-available organic baby food, Policy Project Coordinator James Cleeton confirmed all that organic food adherents already know. The piece stated that an organic diet reduces intake of toxins; eliminates intake of genetically modified organisms; nearly eliminates intake of additives, preservatives and coloring; and increases vitamin, mineral and nutritive intake. An organic baby food diet may also, concluded the study, reduce the chances of heart ailments, cancer, allergies and hyperactivity.

Studies and statistics aside, the most effective tool in the fight to keep your baby's diet clean and organic is your mind. The importance of knowing what goes in your baby's mouth cannot be understated, and in today's world lay more potentially dangers in the grocery aisles than ever before. A little education can go a long way. And remember, organic baby food all means simply a happier and healthier baby.

Boppy Pillow Photography Prop

Photo Credit: celtics baby clothes

Photography props are expensive and many times are not even worth the investment. A Boppy Pillow however, even if bought at full price, is well worth the investment. You will get years of use from your Boppy Pillow and as a photography prop the Boppy Pillow can be used for babies and pets. The Boppy Pillow is also washable so it can be cleaned inbetween uses. You can purchase Boppy Pillows new at stores such as Target or used at resale shops and rummage sales.

Boppy Pillow Photography Prop Pose #1: Baby On Back
Place the Boppy Pillow on the floor of coffee table or other raised surface, not to high since you will be photographing from above. Cover the Boppy Pillow with a backdrop, blanket, material, etc. Gently rest the upper body of the baby on the Boppy Pillow, the baby's bottom should be near the open end. This position is perfect for newborns that can not support themselves.

Boppy Pillow Photography Pose #2: Baby on Tummy
Prepare the Boppy Pillow as above on a raised surface. For this pose the table can be high or low since you will be photographing from in front of the baby. For this photography pose you will be facing the open end of the Boppy Pillow away from the camera. This pose does require some upper body strength so it works best for babies 2 months and up. Place the baby stomach down with the upper body resting slightly forward of the Boppy Pillow. You now have a perfect head and shoulders position.

Boppy Pillow Photography Pose #3: Baby Sitting
Prepare the Boppy Pillow as described in pose 1. As in pose 2 the raised surface can be high or low since you will be photographing from in front of the baby. The Boppy Pillow opening should be facing the camera. Sit the baby inside the hole with the baby's legs coming out the opening. The Boppy Pillow will help support babies that can sit unassisted. In this pose the Boppy Pillow is mainly used to keep the baby sitting tall. Photograph the baby from the front. This pose will help you capture a nice head and shoulders photo of babies six months and up.

Boppy Pillow Photgraphy Pose #4: Pet Laying
Again prepare the Boppy Pillow as stated above. You will be photographing from in front of the subject so a high or low table will work. The Boppy Pillow opening should face to the left or right of the camera. Lay the pet with the front paws on the Boppy Pillow. The body should be laid into the center and if large enough out the opening. Stand behind the camera in front of the subject and get the pet to turn their head towards the camera. I use a rubber chicken, not a squeaker toy. A squeaker toy will scare most animals and usually makes a dog jump up and want to play. You only want to get the animal to look in your direction with their head.

I have included a couple of photos that show the Boppy Pillow in use.

10 Great Tips to Make Any DIY Winter Wedding Photography Successful!

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This winter many couples are choosing do it yourself wedding photography in an attempt to save money. Wedding photography is tricky because if not done right there will be no good documentation of the special day. My dad does wedding photography as an amateur hobby; wedding photography is not skill less, but can be done easily with practice by almost any amateur photographer. This article will take a look at 10 tips to make DIY winter wedding photography successful; however keep in mind DIY wedding photography takes copious amounts of editing after the ceremony.

1. Camera

Taking wedding photographs should be done with the right camera, not a regular point and shoot camera. I recommend using the Canon EOS Digital Rebel XTi, it takes high quality pictures and is relatively easy to use. This camera can be found at www.buy.com for $569.95, but you should check to see if anyone in the wedding party can provide this camera or a similar model to save on money.

2. Flash

Relying on the built in pop up flash in any camera is a recipe for failure; you will want to use an external flash for low lighting pictures, such as a church or an evening reception. Winter conditions outside will not require a flash due to the reflection of the snow, but it can be used if done right; however inside you will want a powerful flash. I cannot give a recommendation because certain flashes work for different cameras; therefore the flash will be determined by your digital camera choice. www.ritzcamera.com has a good variety of flashes, lenses, and cameras.

3. Lenses

Unfortunately DIY picture taking is not cheap and requires the proper zoom lenses for great photos from anywhere in the room. Buying any secondary lenses is not necessary, but they will make the pictures better. www.ritzcamera.com has a good selection of lenses; it is where I purchased mine.

4. Go Digital

The hardest part of DIY wedding photography is getting professional looking shots. Going digital allows for touchups on the pictures after they are taken so that they come out perfect. Going digital also saves on prints since all the photos can be saved on a flash drive or a CD.

5. Choose an artistic guest for the job

Capturing the right moment is what photography is all about; having a guest that is willing to take pictures who has an artistic eye is the best way to get quality shots. Do not expect a gift from the photographer as it takes hours of work to take and edit great shots.

6. Be aware of lighting conditions

Winter is the hardest time of the year to take photographs outside due to the reflective nature of snow and the brightness of the sun. Be creative on the angles of your photographs; many high end cameras also show the contrast ratio on the photos taken, look at the contrast to make sure the photos are coming out correctly.

7. Be aware of where the sun is

Do not shoot towards the sun or objects that are in the sun, it can cause shadows and some funky looking pictures. Just be aware of the sun and preview one or two pictures before taking more.

8. Capture photos with the theme

If your theme is a winter wonderland then capture that theme in the photos! Try to include shots of the bridal party and newlyweds in the natural theme of the wedding; also try to include guests in the same theme. Be creative with the shots, you may have to shoot at different angles to get the desired results.

9. Use the flash

Even in snowy conditions you should experiment with the flash for better pictures, the bright the background the more the object you are photographing will stand out. This may not always be the case; therefore you should check the pictures being taken to make sure they are coming out professionally.

10. Edit, Edit, Edit

No DIY photography is complete up completion of the ceremony! There are countless hours of editing that must be taken on to get professional looking results. If you do not have the proper computer skills try to find a guest that would be willing to help edit in exchange for their wedding present.

This site has some extra DIY tips that can help during a winter wedding; I did not cover many these tips, so it may be a good read: http://www.squidoo.com/weddingphotographyguide

Sources:

www.ritzcamera.com

http://www.squidoo.com/weddingphotographyguide, DIY Winter Wedding Photography

Budget Winter Wedding Photography Guide

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Do-it-yourself wedding photography is an excellent way to save money, but it is important to plan the details. Chances are you probably know a few photography buffs who are willing to help with your wedding photos. Use this guide to make the most of their skills and generosity to get beautiful wedding pictures.

1. Recruit multiple friends or family members to help with the photographs.
Designating multiple people as photographer splits the workload and means the wedding pictures will reflect a variety of perspectives. Choose knowledgeable, reliable people who are experienced in digital photography.

2. Use a high quality camera.
Make sure the camera you choose is technologically capable of capturing your winter wedding memories. Varying lighting conditions and action scenes are no problem for a good digital camera.

3. Have backup batteries or a backup camera ready.
Be sure the camera you use is charged and have a backup battery or backup camera ready.

4. Bring extra memory cards.
With digital cameras, most people take a few photos then delete the bad ones. The quick pace of a wedding probably will not leave time to edit along the way. Besides, pictures that are out of focus or unusual often have a unique beauty that is not immediately apparent. Bring extra memory cards to avoid missing a good shot.

5. Be very clear about what you want.
Research online and browse friend's wedding albums to get an idea of the type of poses and moments you want to commemorate. Make a list to be absolutely certain each milestone is photographed.

6. Get a mix of candid and posed shots.
A variety of photos best captures the spirit of the day.

7. Plan for the weather.
Depending on the wedding location, winter weather may mean it is too frigid to venture outdoors for a photo session. Plan to take group shots of the bridal party and family members indoors.

8. Edit the photos.
Try cropping and adding different special effects. Sepia and black and white pictures take on an elegant, timeless quality.

9. Order quality photo prints.
Since you saved so much on the cost of a photographer, invest in prints that use high quality paper and ink.

10. Make a wedding album.
You can use traditional photo prints to make a wedding album, but digital photos give you more options. A variety of book options, including hardbound books and small flipbooks, are available online and in many drug and discount stores.

Starting Your Own Professional Photography Business

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So now you have the desire and determination to make it work, but what will you do? Photography is your passion, or is it? There are hundreds of photographers out there no matter where you live; what makes you so different from all the other photographers?

* Do you have the unique style necessary to attract the crowds to your camera?

* Can you survive in the cut-throat business of shooting day in and day out whoeversteps in front of your camera?

* Are you original and creative enough to think of different poses, create various styles of portraits of babies, families, couples and single people and still think sanely?

If you answered these questions positively, you may be on your way but that’s not all it requires. Though photography seems a fairly easy business where in movies and television you see a young man photographing beautiful women in studios or on exotic locations, selling all the images to magazines or having huge billboards displaying his pictures, that’s just a dream. Reality can be quite different from what many think of this profession.

It takes more than a fancy camera in this day and age to make a person buy your pictures, let alone to make a business out of it, surviving on income made with your photography. If you live in Spain or anywhere else, if there’s other photo studios then you’re competing against those already established with a good clientele. How can you compete against them?

Here are some recommendations to help you build your dream of working as a photographer:

a.       Create an unique style that stands out from the other photographers

b.      Be professional at all times

c.       Display only your best images to possible clients and change these often

d.      Offer specials to advertise yourself and your photography

e.       Have exhibits of your photography to help spread word of your new business

f.        Be patient and be sure to have a good supply of backup funds in the case they don’t come

Let’s discuss the above points….  This will help you to understand how to succeed.

Look at those you will be competing against; what do they offer in their photographic services? Can you offer the same or more? Most importantly, how does your style of capturing a scene or a face stand up against theirs? You will need to establish that style before you can start with a business. Be sure in what you do and do only that.

When you work with a client, you must maintain a professional environment at all times. In my many years behind a camera, I have seen amateurs make many mistakes during events, weddings and other assignments. In some cases, it wasn’t a mechnical or technical error but a public relations mistake – some people just don’t know how to work with the public. If you do the same, you will not last for very long. While people talk a lot of good images, they talk even more about how terrible a session was. You don’t want that type of advertisement. Research your assignments, know the light. If you have new equipment, then be sure you know what they can do and how you can use it. There’s nothing worst than finding out the hard way a flash or a new lens isn’t completely “right” in your hands.

Advertising yourself is the most important thing you can possibly do; no matter how good (or bad) you think you are, if nobody knows of your services or product, then you wont sell many if at all. When you display a poor image, then others will see the faults also – never display an image that is in bad taste. Show only your best work and watch people contact you. If they see bad results, they will stay away. Your best form of advertisement is word-of-mouth from a satisfied client!

While you may be one who doesn’t believe in the “store specials”, this method of advertising does work, and you can make it work to your benefit. A special attracts people who normally wouldn’t buy a product but does due to the price offer, or does buy and sees a special pricing as a reward for their loyalty. Act on that thought and you will see more customers contacting you!

Many people go to art exhibitions to see art – when this exhibit involves portraits of people for example, it can draw in customers from a different area you never thought possible. While many go for two main reasons – to see art and enjoy it, or to buy art for themselves – having an exhibit consisting of portraits for example, encourages possible interest in becoming a subject for your camera. It also works in a different direction, establishing your track record and building on your resume to show people interested in your experiences and awards, etc. in photography.

Lastly, starting a business is not easy or as “easy” as you may think photography may be. This profession is no exception to the rule. These days everyone having a digital camera makes them a “photographer”. Who will pay you to create their memories to last a lifetime? Before you actually start your new life in photography, be sure to have a good sum of reserve cash banked away to maintain your living expenses through the lean months – if that is the case. In most new businesses, the first two years can be the hardest and patience can save your sanity! The biggest mistake here is that after two or so years of little or no business, new businesses will close, but that is wrong! That’s the worst time to close as now you already have yourself in people’s minds: seeing the storefront, knowing you’re a photographer, etc. stick it out just a bit longer!